The gated and the negated.
The more I look at color the more I see gray.
How they created dimension on the flat paper.
A canvas of paper.
A room of canvas.
Canvas the room.
Lost audience.
Rule bound.
Spatially impoverished.
He taps his wrist as though it were possible to decoupage
the sound.
He asks if is possible to see the painting in both color
(purple) and gray.
An expression of abstraction as if it could contravene the possibility of probability.
The sex was sensational.
Are you being cute James?
Or crazy James?
Because she was a sufficiency and/an efficiency of
opportunity.
A real good time knocker.
Rapity Rap Rap – It’s a wrap.
Clap clap it’s the Flapper!
Dancing the lights on and off.
Milquetoast – the quality of a Milky Maid performing the
act of making ready surface for the milk paints used in the composition in question.
Watch the sap between the limbs.
The materiality of the construction
– the fabrication of the material, the
coloration, imprinting of, all shapes the emptiness of infinite space – the limits
of possibility – permeability.
The outer limits of the abstract
refract against the mirror of expression – an audience absent itself as the
composition fails to compel, repel, engage at all.
The viewer looks and looks and
looks until there is no more seeing, co completion, no unification of object
and gaze.
Don’t worry it’s just a phase.
This is the train to New Haven,
West Haven a new haven for Wes Craven.
